Hate my work, hate me...possibly

[tocryabout]

the_epic asked me if, as a writer, I worry about being judged as a person for my writing (and subject matter, by extension).

Answer: Yes, I do. Why? Because writing is a moral act.

Does that mean there are things that we just SHOULD NOT write, if we are decent people? I think so. I think we SHOULD NOT write erotic stories about raping children. We SHOULD NOT write the equivalent of blood libel stories.^* We just should not use words to dehumanise other people. We might also have a positive moral duty to use literature in life-affirming ways.

Or not. If you don't buy that, try this: writing requires empathy and a working conscience. Morality may not impose any restrictions on what we write, but the act of writing is not going to produce anything worth reading unless the writer is capable of moral thought. We need an understanding of how real people actually feel (both the strong and the weak, the victims and the oppressors) and a sense of justice, the fitness of things.

A story contains a moral world. In the world of Hannibal (the movie), it is okay for Hannibal to murder whoever he wants to. He doesn't receive comeuppance, and it is never implied that he is in the wrong. Morality is a part of the willing suspension of disbelief; what is right or wrong in the story is under the control of the writer/narrator. We feel betrayed when a writer uses this control to create a moral world that we find repugnant. It makes us feel all ooky.

Can we judge an author based on the work? It would be difficult and probably doomed to failure, but I don't think it's an entirely stupid idea. Most bad stories are just technically bad -- the author is immature, incompetent, or too lazy to do a good job. Some horrible abortions of fiction are more clearly the result of narcissism and other personality disorders; a few are actually offensive. Morally offensive books are memorable; you probably remember the very first book you ever read that really pissed you off and gave you the creeps.

I also think an author can WRITE perfectly decent stories and still LIVE an immoral life. The reverse is not true, I don't think. Anyone who wrote truly horrible things would not be invited to my dinner parties or allowed to pet-sit my cats. Because of the ookiness.

So that is my answer, and that is what I think of people who write Family Guy darkfic for non-ironic reasons.

_____________
^* Blah blah disclaimer. Yes, Lolita is a good book, yes I'm sure there are good books written around the blood libels. I'm talking about writing that fails to problematise morally repugnant things, and you know it.

Comments

[waterstrider.livejournal.com]

It really depends on the thing, and it's a matter of degree. I haven't lost a parent, for example, but I've experienced grief from other sources enough to be comfortable writing about it. I would have more trouble writing about piloting a plane than about piloting a ship, even though I haven't done either one -- I have more experience on boats to fill in the gaps.

Usually research helps. I'm not a gun nut, but I read a lot about target shooting with air pistols for one story and ended up feeling pretty comfortable -- and I gained insight into what was going on in the story and why the guns were important, which is more crucial. If research doesn't help and there's no theme or imagery to be squeezed from the event, and I can get away with it plot-wise, I skip over it with minimal description. "He landed the plane."

It's easier for me to infuse everything with my own feelings and experiences, but one could go the other way and observe everyone (including one's self) with a certain objectivity. Both approaches have weaknesses and all writers use both to some extent blah blah boilerplate.

I happen to write in a way that leans very heavily on the internal world, so observing the actions of others is less useful (and interesting) to me. Every writer watches behaviour, but behaviour to me is just the visible part of the iceberg. What other people say and write about their experiences is a lot more helpful for the kind of writing I do. Someone with a style that concentrates on externals, body language, etc. will do things differently.

A final corollary to all that is that for a lot of writers, all writing is about your own experiences and none of it is. I don't feel particularly close to things I've written about myself. I identify more with some of my invented characters than with the character of "me" that comes through in my journal and my hamfisted autobiographical writing. I'm not alone in this, from what I read.

You should really go through minisinoo's memories, because she's made tons of very insightful posts on writing, experience, and all that stuff.

[ex-the-epic80.livejournal.com]

I'm going to go check out minisinoo as you've suggested, as I can use all the help I can get. And no, you're definatly not alone in this...I'll tell you what's brought this up for me. I've been re-plugging away at my novel and I'm finding and aura of, non-humanity to some of the characters. Now this would be fine in a fantasy story with dragons and wenches and the like, but I'm looking to write a moral analogy in the guise of a historically-based fantasy fiction, and so the people have to SEEM like they are people. The human condition, I believe is how it's described.

I can do the whole "brooding and sad, yet humour-filled and good-driven" knight because I can relate to that feeling, but some of the other characters are hard to get my mind around, so I figured I would get some pointers. Lady Astelde/Adeline (as she will be known again...), if you've read the book, is particularly difficult to write because of her lack of passion for life, as well as her cold hearted nature.

In any case, thank you for your insight.